All Plug-ins Tested with FL-Studio [except Apple stuff].
Androids with HTC-Desire & Samsung Galaxy Note II ... and little reminder that all the VST plugins
& Tools on the blog are free and legal. Not any crack or key.gen shit. Enjoy!
The Pecheneg Tremolo VST plugin is a tremolo effect, which
has the possibility to adjust the shape of the tremolo modulating curve and to
synchronize the frequency with a host, or set it manually.
When synchronizing with a host (Tempo: host), the tremolo
frequency is adjusted by the Note knob, which sets the
modulation period, while the note type (regular, dotted or triplet) can be
selected below the knob.
When set manually (Tempo: man), the tremolo frequency (in
Hz) can be set directly with the knob Freq.
The Shape, Phase and Symm
knobs set the wave form of the modulation, with the amount of modulation set by
Microtonal capabilities with any scale, any number of notes per octave (up
to 127) and keymapping.
3 synthesizer engines:
ADsynth" or "ADnote" is a complex engine which makes sounds by adding
a number of voices. Each one has filters, envelopes, LFOs, morphing,
modulation (Ring Modulation, Phase Modulation, the modulators can have any
shape), resonance, etc. Each voice includes a very powerful waveform
generator with up to 128 sine/nonsine harmonics. This engine includes
"SUBsynth" or "SUBnote" is a simpler engine which allows you to make
sounds by subtraction of harmonics of sounds from white noise.
"PADsynth" or "PADnote") makes beautiful pads and other instruments.
Instruments can be organized in kits, which allows you to make drum kits
or layered (mixed) instruments; this makes it possible to use more than one
instrument for a single part. It is possible to choose what items from the
kit should be processed by the Part's effects.
Effects: Reverb, Echo, Chorus/Flange, Phaser, AlienWah
(a kind of vocal morpher), Distortion (Waveshaping), EQ, DynamicFilter.
The effects can behave as System Effects or as Insert Effects; this
allows you to use many effects at the same time. You can put any insert
effect on any part (or more insert effects to same parts, if you like) or
you can put the insert effect to Master output. Also, you can have
instrument's effect (that is saved with the instrument).
Filters up to 60dB/octave (or more); filters can be analogue (LPF,HPF,
BPF,etc.), formant (advanced formant filters) and state variable (SVF).
Envelopes can have ADSR (or ASR, etc.) modes or can be free modes (with
Many settings have a "randomness" option; this produces a very pleasant
effect (like analogue synths or natural instruments that can't produces
exactly same sound twice).
Intuitive and easy to use User Interface.
MIDI support (supports many controllers) and (if you want) JACK support.
It is free, licensed under version 2 of the GNU General Public License.
Maxwell Smart is a transparent true peak limiter / loudness
maximizer with look-ahead. It's designed to boost the overall loudness while
maintaining transients without audible distortion. Maxwell Smart also has
CPU-friendly 4x ISP (inter-sample peak) detection which is compliant with the
latest ITU, EBU and ATSC recommendations.
Transparent true peak limiter / loudness maximizer with look-ahead.
Built-in ISP detection equivalent to 4x oversampling (without any of the
artifacts or heavy CPU load).
Compliant with the latest ITU, EBU and ATSC recommendations for true peak
Adjustable threshold and ceiling (-24dB ... 0dB).
3 modes to control the sound: smooth, normal and loud.
Compensated latency of 4ms.
Support for all sample rates above 11.025kHz.
Ideal for mastering, or as a drum bus limiter for example.
This enhanced version of the Analogic Delay gives you separate
control over the delay times on left and right channel. Suitable for
ping pong delays and drifting delays.
Tape model including tape saturation, wow, flutter, low and high pass filtering.
Separate control of delay time for left and right channel.
delay time is not entered in milliseconds but as a note length (in
relation to the song tempo in your sequencer). The Groove parameter
allows fine tuning from triplet to dotted note timing.
"Drift" parameter gives you the possibility to create delays wandering to the left or to right in the stereo field.
Press the "Ping Pong" button to create delays alternating between left and right speaker.
"Smooth" creates continuous delay time changes like on a real tape
delay (no digital clicks when changing delay time during the song).
learn: Each control can be automated via MIDI controllers. The default
assignment of MIDI controllers is documented in the pop-up hints. To
assign a different controller right-click on a control then choose
"Learn" from the pop-up menu and twiggle the hardware controller you
want to assign. Alternatively choose "Unlearn" or "Edit.." to assign a
controller from a list.
It contains 42 stereo samples from the University of Iowa Electronic Music
Studios public domain library. You can use a sustain pedal to play with full
release notes, but if you don't have one, you can switch from Short to Full
release with the MIDI notes A2 (57) for short and B2 (59) for full. These 2
notes can be triggered from the GUI:
Acon Digital Multiply is a versatile chorus
effect with a unique twist. Each simulated voice is processed with a phase
randomizing filter so that unpleasant comb filter effects are avoided. The
effect can be used to simulate the effect of several performers playing the same
tones simultaneously, to widen the spatial image or to create special effects
for sound design. Multiply can simulate up to 6 additional voices and both the
pitch and the loudness of the voices can be modulated. There is also an
integrated equalizer consisting of low cut, low shelf, high shelf and high cut
filters that can be applied to the effect signal. An integrated pre-delay
section makes it possible to create modulated and diffuse echo effects.
Acon Digital Multiply is available free of charge for both
Windows (PC) and OS X (Macintosh). Both 32 and 64-bit versions are available,
and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.
Instretch is an instant extreme time stretcher. It will
record audio for up to 30 seconds and then play it back up to 100 times
slower with selectable pitch. Also manual "riding" thru the sample with
endless hold of a grain is possible.
GHi is a resonant high-pass filter. It is
used to remove all frequencies from a signal below a given cut-off point.
Increasing the resonance of the filter causes the
frequencies around the cut-off to be boosted.
Resonance can create large peaks in the output. Because of
this, the GUI features a peak display showing the maximum peak output level.
The peak display is reset by clicking on it.
High-pass filters are especially useful for removing
unwanted or inaudible bass frequencies. In a mix, you usually want the bass to
come from one or two specific tracks. Removing the bass from the other tracks
can make mixing easier and help eliminate "mud" from the final mix.